What’s Your Problem? Reblogged

At its most basic plot is the presentation of a problem that needs to be solved: the detective needs to catch the criminal, the lovers need to come together, the world needs to be saved. So when we’re beginning to plot a story we need to think, ‘What is the problem?’ then ‘How are we … Continue reading What’s Your Problem? Reblogged


Endings and Beginnings

I’m going to be trying something new. I’m going re-blog old articles that new followers many have missed beginning with articles on plot and structure. Beginning with The Purpose of Plot from Finding Your Voice. Monday - What's Your Problem? For a plot we need a problem. Tuesday - Where's Your Tools? Now we have … Continue reading Endings and Beginnings


WARNING: Contains violence. Lot meets a werewolf, but are they friend or foe? Nine Shillings and Victorian Mistress are also available on Wattpad. London – 1844 I shouldn’t have been on the rooftop in Covent Garden alone, not when I couldn’t sense the murderer coming, but I had to know. I’d never forgot anything before, … Continue reading Dominance

Magic Memories

Lot experiences something new. Nine Shillings and Victorian Mistress are also available on Wattpad. London – 1844 I had no idea how people with non-magical memories coped. There I was on my knees with the murderer’s hand around my throat, in front of me the skyline I’d lived amongst since I arrived in London was … Continue reading Magic Memories

Travelling by Coach

WARNING: Contains violence and sexual references. The Reaper goes on an adventure. Nine Shillings and Victorian Mistress are also available on Wattpad. London – 1844 Mr Norton climbed into the carriage and sat back. ‘Jesus.’ I hit the top of the carriage and it jerked into motion. ‘Saint Nick and I’ve got a lump of … Continue reading Travelling by Coach

Voicing a Character

One of the things we have to decide when our omniscient narrator is describing a character’s thoughts to us is whether or not they’re going to be in the character’s voice or the narrator’s. Both techniques are valid and we can even use both, but when we use both we often need to establish why … Continue reading Voicing a Character

Intruding Author?

Theoretically, our omniscient narrator has no investment in the story, they’re separate and unbiased relating the facts as they are, but this is rarely true. Charles Dickens is well known for showing the plight of the poor in Victorian Britain, he relates the facts but he is not unbiased. However, when he digresses from a … Continue reading Intruding Author?

The Many Perspectives

One of the most important things to remember about omniscient narration is that although we can show the perspective of many characters we’re not actually in their perspective. As we’ve discussed before there are two main types of omniscient narration: Limited omniscient – We use third-person but we’re limited to the perspective of one character … Continue reading The Many Perspectives

Sitting Outside a Story

This week we're mixing things up a bit with three articles on omniscient narration and three episodes of Nine Shillings. Monday - Many Perspectives, In omniscient narration we can see any character's pespective but we're not in it. Tuesday - Intruding Author? Are we breaking the narrator's voice? Wednesday - Voicing a Character, Looking at ways to convey character thoughts. Thursday - Saturday … Continue reading Sitting Outside a Story

Sabotage and Stubbornness

WARNING: Some sexual references. Lot and Bran have a serious talk about where their relationship is heading and meet some mud monsters. Nine Shillings and Victorian Mistress are also available on Wattpad. London – 1844 I should’ve apologised for getting frustrated at Bran but Mary and Edward came to get into bed with us before … Continue reading Sabotage and Stubbornness